पृष्ठम्:मालविकाग्निमित्रम्.djvu/१९४

147

ACT IV.

P.70,1.7–नियोगमशून्यं कुरू, thou, go about thy business. cf note .

on p.22,1.7.

P.70,1.13.-देव्याः. MS| G reads “देव्या;" more correctly, perhaps,

than our MSS.

P.71,1,4.–इरावदोचित्तं रख्खन्तोए, who had put the girls into confinement only to please Irâvatî, and not because she herself wanted

to punish them. For it was at the instance of Irâvatî that the

Queen had confined them.-राआ किल मोएढित्ति &c. Vidûshaka was

to say to Mâlavikâ, that the Queen was requested (lit. caused)

by the King to set Mâlavikâ at liberty. And when delivering

the message, he added that the Queen easily complied with

the King's desire, because that she had put the girls into confinement only to please Irâvatî.-राआ किल &c. G reads, “ राआ किल

मोचेदि मालविअंति.”

P.71,1.10.-समुदघरए. This refers to a pleasurehouse, probably so

called from some ponds of water being attached to it. All

manner of names are given to pleasure-houses by the poets.

The student will recollect the मणिहर्म्य ” of King Purûravas in the

Vikramorvaśî .

P.71,1.12.-संभावयामि, i. e. ‘सत्करोमि, ’ go to receive her. Cf. note

on p. 47, 1. 13.

P.71,1.13.—MSG inserts « परिक्रम्य “ after " एदु भवं. "

P. 72, 1. 4.-पलिहलणीआ चन्दिआ. Vidûshaka, true to his character ,

puns upon the word चन्द्रिका, which, while the King uses it as a

proper noun, he takes to mean the moonlight. One of our MSS.

(E) has the following on its margin opposite the present line :-

विटचोरतमश्चक्रपद्माद्याश्चन्द्रशत्रवः

P.72,1.ll -पस्सदो पिठ्ठदो देख्खीअदि, ’ whom you see at your side behind you. Bakulâvalikâ refers to a likeness of the King painted

on the wall with his harem.