126 NOTES ON Pnrrt faferp 3n^rc ^<m'- 1 jprfafc t^i %%g^fa f^rstawntft ?s^ft: if<iRi^i...^^q^ iotsit H<ft <rfo#? s^ft% %# <fi4Uy^ fecwfjitf g^offa^...^ =3 f^pfi^p^ 1 W%t ^ '*m^ fa*rii«fi<u ' ??r«T^- 1 '=qggi=?2WTfa°' (^F^rKsr I. 1 ) ?fr nircmt s^w^Rd
- re^ *r«mr Wtfa i • • -^rctitsft ^^w 3Tg#= ijfranjjw =3?57rats
W£c£a i ffifcfed i 4i <g^ i <rre ^pt JraTfa---<rF% #3rrfa ^ttc^t-
tf^iftr arcr ?nr^r w 3nrNrc*rpt ^rat^rfa ). ^ ™U he noticed how the commentator draws out an esoteric connection of the principal characters with the highest divinities. He seems to have read g^3WT% for f^RRT , ?"«feufa for of^ft and HWTfa for «£tflft. P. 2. 1. 13.— p. 3. 1. 22.— When Bana breathed his last, he had brought the story to the point -where q*k4T was reporting to ^r^n ft g the conversation that took place between herself and love-sick ^Rfft <hK*«TCT saic * tuat s,le did not know in what words she should couch her message to Tj.- ^nfl j and dismissed thirteen different expressions as un- suitable. She then says that even if without a message from her =^iite were to come out of regard for the entreaties of IWctosTT, she would not be able to receive him properly. 11.13 — 14 3rfq=Ej...<^pr— In this and the following four sen- tences, what EfiTCRjn means is: — even if =^nfte were brought back, 5fiT3?5TH would be such a complete prey to the contending emotions of shame, embarrassment etc. that they, not she, would be the actors in what would follow and this is how they would act. Her identity would as it were be lost and in her place would stand the contending emotions of shame &c. ^ s;3JRt • ••331^. ( m y sense of) shame, ashamed of fickleness (a^rr) would not show herself to the prince. Ordinarily women naturally possess snwTT, tN^SFT, ?ftfa etc. That sense of shame is merged in the ^wir which she felt at the thought of her unsteadiness in falling in love with =^^rtte at nl- st sight. That is, the meaning is 'jf^rrc^r wTFm% *& iMfcr^toH^ ^ 4g^fSM<R<*dnJ'J3TT ^su^-wit Ufa srrcffi <m«T <T $HK £5 * Wjnft.' The following four sentences