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the Brahmasutras, his U pakramaparakrama which is an elaborate discussion of the canons of Mimamsa as applied to Vedt1nta, his Kuvalayananda, Chitramimamsa and Vrittivartika which deal with Alankara or rhetoric, his Vyakaral.la VtLdanakshatrawala treating of grammar and his Ptlrvottaramimamsa, V tLdamkshu.trarruila treating (If both the Mimttmsas, form certainly the glorious and ever-enduring monuments of his versatile genius. lndia can very well feel proud of one who has contributed such classic works on so many different subjects and has thereby ennobled her already noble literature. She was perfectly justified in counting Appaya Dikshita as one of the illustrious galaxy of her brilliant sons--stars of the first magnitude -who have made her literature what it is-the rich heritage Lnd the proud possession of the presnt genera- tion of Hindus, and the wonder a,nd envy of the whole civilised world.


.-ppaya Dikshita's compositions 1l'e numerous and "c1ried H,nd several of these have not yet been published in print. Among such hitherto unpublishf:d works we bave to reckon this VtLdanakshatramfLla which consists of :1 string of twenty-seven discw;;sions on various topicE connected with either the MlmtLmsa or the Ved;mta Philosophy, The sevora,l discussions will be founo extremely interesting and the subjects treated of are n01 touched upon in any other treatise. The Dikshita him self states in the opening verse of this book that tb