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सिद्धनन्दिन्
सिद्धान्तरत्नाङ्कुर'
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सिद्धनन्दिन् an ancient Jain sage who is believed to have written an ori- ginal work on grammar.

सिद्धहेमचन्द्र a title given to his gra- mmar by Hemacandra himself, which subsequently came to be called हैमशब्दानुशासन or हैमव्याकरण. For details see हेमचन्द्र.

सिद्धान्त established tenet or principle or conclusion, in the standard works of the different Shastras.

सिद्धान्तकौमुदी a critical and scholarly commentary on the Sutras of Panini, in which the several Sutras are arranged topic wise and fully explained with examples and counter examples. The work is exhaustive, yet not voluminous, difficult yet popular, and critical yet lucid. The work is next in importance to the Mahabhasya in the system of Panini, and its study prepares the way for understand- ing the Mahabhasya. It is prescri- bed for study in the courses of Vyakarana at every academy and Pathasala and is expected to be committed to memory by students who want to be thorough scholars of Vyakarana. By virtue of its metho- dical treatment it has thrown into the back-ground all kindred works and glosses or Vrttis on the Sutras of Panini. It is arranged into two halves, the first half dealing with seven topics ( 1 ) संज्ञापरिभाषा, ( 2 ) पञ्त्वसंधि, ( 3 ) षड्लिङ्ग, ( 4 ) स्त्रीप्रत्यय, ( 5 ) कारक, ( 6 ) समास, ( 7 ) तद्धित, and the latter half dealing with five topics, ( 1 ) दशगणी, ( 2 ) द्वादश- प्राक्रिया ( 3 ) कृदन्त ( 4 ) वैदिकी and ( 5 ) स्वर. The author भट्टोजीदीक्षित has himself written a scholarly gloss on it called प्रौढमनोरमा on which, his grandson, Hari Diksita has written a learned commentary

named लघुशब्दरत्न or simple शब्दरत्न. The Siddhāntakaumudi has got a large number of commentaries on it out of which, the commenta- ries प्रौढमनोरमा, बालमनोरमा, (by वासुदेव- दीक्षित) तत्त्वबोधिनी and लघुशब्देन्दुशेखर are read by almost every true scholar of Vyakarana. Besides these four, there are a dozen or more commentaries some of which can be given below with their names and authors ( 1 ) सुबेा- धिनी by जयकृष्णमौनि, ( 2 ) सुबोधिनी by रामकृष्णभट्ट ( 3 ) वृहृच्छब्देन्दुशेखर by नागेश, ( 4 ) बालमनेारमा by अनन्तपण्डित, ( 5 ) वैयाकरणसिद्धान्तरहृस्य by नीलकण्ठ, ( 6 ) रत्नार्णव, by कृष्णमिश्र ( 7 ) वैयाकरणसिद्धान्त- रत्नाकर by रामकृष्ण, ( 8 ) सरला by तारा- नाथ,(9) सुमनोरमा by तिरुमल्ल,(10)सिद्वान्त- कौमुदीव्याख्या by लक्ष्मीनृसिंह, (11 )सिद्धान्त- कौमुदीव्याख्या by विश्वेश्वरतीर्थ, (12) रत्नाकर by शिवरामेन्द्रसरस्वती and (13) प्रकाश by तोलापदीक्षित. Although the real name of the work is वैयाकरणसिद्धान्ततकौमुदी, as given by the author, still popu- larly the work is well known by the name सिद्धान्तकौमुदी. The work has got two abridged forms, the Madhyakaumudi and the Laghu- kaumudi both written by Varada- raja, the pupil of Bhattoji Diksita.

सिद्धान्तकौमुदीगूढफक्किकाप्रकाश a small gloss on Bhattoji's Siddhantakau- mudi, explaining its difficult lines and passages, written by a grammarian named इन्द्रदत्तोपाध्याय.

सिद्धान्तकौमुदीवादार्थ an explanatory work, discussing the difficult sen- tences and passages of the Siddha- ntakaumudi, written by a gra- mmarian named Ramakrsna. सिद्धान्तरत्न a gloss on the Sarasvati- sutra written by a grammarian named Jinacandra. सिद्धान्तरत्नाङ्कुर name of a commen- tary on the Katantraparisista by